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Privacy Policy


This privacy policy discloses the privacy practices for digitalEPIGRAPHY. This privacy notice applies solely to information collected by this website. It will notify you of the following:

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Wherever we collect sensitive information that information is encrypted and transmitted to us in a secure way. While we use encryption to protect sensitive information transmitted online, we also protect your information offline. Only members of digitalEPIGRAPHYare granted access to personally identifiable information. The computers/servers in which we store personally identifiable information are kept in a secure environment.

If you feel that we are not abiding by this privacy policy, you should contact us immediately via  info@digital-epigraphy.com.

Last Updated: 17.10.2018

Publications

Digital Epigraphy (Second Edition)

The chapter by chapter web version of the book, Digital Epigraphy, written by Krisztián Vértes in 2014, explaining the basic procedures of the Survey’s ever-changing digital documentation method,...

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The Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition

The chapter by chapter web version of the book, The Mastabas of Qar and Idu, written by William Kelly Simpson in 1976, with contributions or drawings by Dows Dunham, Suzanne Chapman, Hansmartin...

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Epigraphy Snippets

The Epigraphic Work of Howard Carter
 The Outer Coffin of Amun's Priest Nespaperennub, as Digitized by the "Book of the Dead in 3D" Project at UC Berkeley
Color coded greyscale drawing detail from TT 179 showing part of a large pile of offerings
Digitally Inking the Mastaba Architrave of Old Kingdom Scribe, Idu
Photoshop Shortcut Solutions with a Twist - Two Recently Released Accessories from Huion and Xencelabs
The Palace Area at Medinet Habu in the 1920's During Ransom Wiliams' Chicago House Occupation
Digital Watercolor Applied in Procreate to Create a Visual Reconstruction of the Original Ptolemaic Paint Pattern
Anonymous Outer Coffin from the Cache of Bab el-Gasus in the Visual Interpretation of Rogério Souza
Documentation Work and Digital Collation in Progress in the Tomb of Djehutihotep, as carried out by Marleen De Meyer and Toon Sykora

3d modell collection

The Book of the Dead in 3D. Digital Analysis, Visualization and Dissemination of the Funerary Culture of Ancient Egypt

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The Eighteenth Dynasty Temple of Amada at Lake Nasser

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A virtual tour of the recently discovered Old Kingdom tomb of Wahty in the Saqqara necropolis

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Walking through the tomb of Nefertari today and in the past

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Tomb of the Two Brothers – A 3D tour of the tomb of Niankhkhnum and Khnumhotep

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Visual Documentation Database

Saqqara,

Saqqara, Tomb of Ptahemwia, Wall scene sketches

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Saqqara,

Saqqara, Tomb of Ptahemwia, Wooden coffin fragment

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Saqqara,

Saqqara, Tomb of Horemheb, Faience ushabti

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Karnak,

Karnak, The Edifice of Taharqa, Wall relief

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Saqqara,

Saqqara, Tomb of Maia, Wall relief

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Painted Hieroglyphs Gallery

Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Doorframe of Neferrenpet and Neferhotep

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Tomb of Userhat (TT 56)

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Tomb of Userhat (TT 56)

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Tomb of Userhat (TT 56)

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digitalEPIGRAPHY is an educational hub for Egyptologists, artists, illustrators, designers, and anybody who is interested in knowing more about digital documentation techniques applied to ancient Egyptian monuments.

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The Epigraphic Survey, Oriental Institute, University of Chicago, based at Chicago House in Luxor, Egypt, is directed by Dr. W. Raymond Johnson, Research Associate Professor of the University of Chicago and the Oriental Institute. The mission of the Survey since 1924, in partnership with the Egyptian Ministry of Antiquities, includes the facsimile documentation of reliefs and hieroglyphic inscriptions on ancient Egyptian monuments through photography and precise recording techniques (line drawings, digital imaging, etc.), as well as appropriate conservation and restoration work, in an effort to preserve the cultural heritage of Pharaonic civilization.

The Oriental Institute was founded in 1919 by James Henry Breasted and was originally envisaged as a research laboratory for the investigation of the early human career that would trace humankind’s progress from the most ancient days of the Middle East. The goal of the Oriental Institute (now ISAC) is to be the world’s leading center for the study of ancient Near Eastern civilizations by combining innovation in theory, methodology, and significant empirical discovery with the highest standards of scholarship.


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