One of the challenges of epigraphic work consists of essentially converting three-dimensional artwork into a two-dimensional representation on paper (or on-screen). This note summarizes an experiment in solving one aspect of this conversion problem.
Early in his career, from 1894 to 1899, Howard Carter worked with Édouard Naville at Deir el-Bahari, where he recorded the wall reliefs in the temple of Hatshepsut.
It has been a while since Adobe announced at last year’s Adobe Max conference that it would be bringing the full Photoshop experience to the iPad sometime in 2019.
Commencing in 1933, a four-volume series entitled The Temple of King Sethos I at Abydos, edited by Alan H. Gardiner, was published jointly by the Egypt Exploration Society and the University of Chicago
Starting in 2017 a team of KU Leuven (Belgium) has initiated a new epigraphic recording of the Middle Kingdom tomb of Djehutihotep at Dayr al-Barsha in Middle Egypt.
When it comes to finding the ideal drawing tablet for one’s everyday documentation duties, we all have our different preferences. Some of us want portability over everything else and would like to take our devices wherever we go.
Wadi el-Hudi is an extensive mining site in the desert about 35 km southeast of Aswan where, in ancient times, Egyptians mined precious stones and minerals, including amethyst, galena and gold.
One of the most understated requirements of digital inking is the ability to be in full control of line placement and line quality. Obviously, ink line quality can be altered by several aspects as is often dictated by the publisher’s requirements.
Whether you’d like to use your iPad as a drawing display or merely as an extension of your Mac’s screen real estate, you will find numerous third-party solutions in the App Store.
The conservation and documentation of the tomb of Senneferi (TT 99) at Luxor was carried out between 1992 and 2002 by the Cambridge Theban Tomb Project, under the leadership of Nigel Strudwick.
To be able to effectively use Photoshop in the studio, one needs to create a perfect personal workflow. While the same results can often be achieved by using different methods, the amount of time and effort it takes to accomplish your goals highly...
In recent years, the Heidelberg University’s Ramesside Tomb Project has been studying the motifs behind the decoration of the forecourts of two Ramesside tombs, TT 157 and TT 183.
In this somewhat unconventional entry, digitalEPIGRAPHY would like to draw your attention towards the general understanding of what using computers in producing art really means.
The following article is going to be a somewhat unusual tutorial as it is aimed to give the reader a sneak-peek into the process of developing a new documentation method.
Although Apple’s new iPad Air might look familiar for those who remember the 10.5-inch iPad Pro from two years ago, it is a brand-new mid-tier tablet between the entry-level iPad and the high-end Pro models.
A recent exhibition in the Antikenmuseum Basel recreates two of the most beautiful rooms, the Hall of Beauties and the adjacent Pillared Room in Seti I’s magnificent tomb in the Valley of the Kings.
If you have a Windows PC, you are probably familiar with Corel’s excellent software solutions regarding photo modification and vector illustration, called CorelDRAW Graphics Suite.
In the following entry we’d like to show you how to take advantage of your tablet’s camera during digital ”penciling”, as we all know that the best camera is the one that is with you.
Das Grab des Paenkhemenu (TT 68) und die Anlage TT 227 by Karl-Joachim Seyfried is part of a series of publications devoted to the Theban tombs of Ramesside officials produced by the Egyptological Institute of the Heidelberg University.
It is time for us to reach out to our growing community to exchange views on digital documentation or documentation in general by utilizing the channels provided through the digitalEPIGRAPHY website.
