As it was already explained in the first edition of the Digital Epigraphy manual, Photoshop is our choice of quintessential tool when it comes to digital inking in the studio. We paint most of our brush strokes freehand using very little artificial help.
Krisztián Vértes
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One of the most understated requirements of digital inking is the ability to be in full control of line placement and line quality. Obviously, ink line quality can be altered by several aspects as is often dictated by the publisher’s requirements.
Krisztián Vértes
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