Tag: sun-shadow

Tutorial (2 entry/entries)

Jan 14, 2021

Tidbits of the Digital Chicago Method Part 7 – Introducing the Survey's New Sun-Shadow Brushes

In this new tutorial of the Survey's "Tidbits…" series, digitalEPIGRAPHY would like to focus on one of the focal points in rendering raised and sunken relief, namely sun-shadow transitions.

Krisztián Vértes

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Apr 29, 2021

Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop

Started with the first epigraphical efforts in Egypt, it has been a natural desire to capture this attribute when represented on a sheet of paper with only two aspects: length and breadth. In the next installment of this series, we'll put relief representation under the microscope.

Krisztián Vértes

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Project (1 entry/entries)

Mar 18, 2021

Digital Epigraphy in the Tomb of Djehuty (TT 11) at Dra Abu el-Naga (Part 2)

The digital epigraphic record in Djehuty’s chapel comprises five phases: photographic documentation, in situ preliminary drawing, initial inking, collation, and final inking. This procedure ensures that the record is faithful and, in addition, that it reflects the artistic spirit that was embedded in the original work.

Méndez-Rodríguez and Ruiz Sánchez de León

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Reading (8 entry/entries)

Sep 28, 2018

Tomb of the chief physician Shepseskafankh

The Czech Institute of Egyptology discovered the mastaba of the chief physician Shepseskafankh during the course of their 2013 season in Abusir South. The tomb is located in the northeastern part of the cemetery of officials dated to the Fifth Dynasty, spanning the reigns of Nyuserre through Djedkare (2402–2322 BC).

Précis and commentary by Júlia Schmied

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Oct 1, 2018

The tombs of Kaisebi (AS 76) and Ptahwer (AS 76b) at Abusir South

The Czech Institute of Egyptology’s excavations at Abusir South in 2014 have led to the discovery of the tomb of Kaisebi (AS76) and the adjoining structure of Ptahwer (AS 76b). Both tombs are dated to the end of the Third Dynasty.

Précis and commentary by Júlia Schmied

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Oct 2, 2018

Digital epigraphy of the temple of Debod

A Spanish team of the University of La Laguna, Tenerife is currently recording and studying the scenes and inscriptions of the Meroitic temple from Debod, Nubia, now in Madrid, under the project title “tA-Hwt, Digital Techniques applied to the Inscriptions and Reliefs of the Temple of Debod’.

Précis and commentary by Júlia Schmied

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Oct 17, 2018

Carved limestone fragments from the Great Aten Temple

In 2012 the Amarna Project began its excavations at the Great Aten Temple in order to re-study the temple remains, and to clean the site and mark the main building outlines in fresh stonework.

Précis and commentary by Júlia Schmied

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Nov 21, 2018

The Tombs of Userhat and Khonsuemheb

A Japanese expedition from the Institute of Egyptology at Waseda University, Tokyo has been working in the el-Khokha area in the Theban Necropolis since 2007 under the direction of Prof. Jiro Kondo. The team has rediscovered the tomb of Userhat (TT 47), Overseer of the King’s Private Apartment under Amenhotep III

Précis and commentary by Júlia Schmied

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Nov 29, 2018

The Tomb of Sataimau at Hagr Edfu

A British Museum expedition has been working at the necropolis of Hagr Edfu under the direction of W. V. Davies since 2001. In recent years, the expedition has documented a group of three tombs at the foot of the main hill of the site...

Précis and commentary by Júlia Schmied

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Dec 21, 2018

Late antique Hagr Edfu - Area 2b, Tomb D

In 2007, a British Museum expedition began investigating the late antique activity at Hagr Edfu, with a focus on surveying, conserving, and documenting the rock-cut tombs of Areas 1 and 2, including Tomb D of Area 2b. Project description

Précis and commentary by Júlia Schmied

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Jun 30, 2022

Ostraca form the workmen’s huts in the Valley of the Kings

The Swiss archaeological mission "MISR: Mission Siptah-Ramses X." excavated the tombs of Siptah (KV 47) and Ramses X (KV 18) and their immediate surrounding areas between 1998 and 2005.

Précis and commentary by Júlia Schmied

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